Marlina Gonzalez’s Epic Enchants and Unsettles with Mythic Exuberance – “Isla Tuliro” at Southern Theater

Photo by Bruce Silcox.

Playwright Marlina Gonzalez has conjured an expansive reflection of the ravages of cultural appropriation in the Philippines. In Isla Tuliro, a trio of wise and savvy elders guides the audience on a psychic journey over centuries, from an indigenous era to Spanish conquest to American occupation. This co-production between Pangea World Theater and Teatro del Pueblo has been lyrically staged by Gonzalez with her co-director Meena Natarajan. The venue is the Southern Theater, whose faded glory suits this piece nicely.

A sparkling cast is spearheaded by the commanding and endearing Lita Malicsi as Tulusan, the magnetic elder whose psychic vision spans the centuries. We’re transported from a sylvan era of pre-conquest harmony to shaming domination by the West. New terminology creeps into and invades the common tongue like a psychological military force in its own right. Lullabies and nursery rhymes originally sung by the natives are subtly morphed into tools of revisionist indoctrination. It gets so extreme that even the verbal rolling of the “r” in the back of the throat is ultimately forbidden.

Sandra Augustin’s movement direction fluidly blends the actors into the unfolding of the folkloric storytelling, enhanced by Masanari Kawahara’s puppetry, Eric M.C. Gonzalez’s sound design, and Theo Gonzalvez’s music. Adding to the enchantment are Jeff Stolz’s splendid costumes, Mike Wangen’s lovely lighting, and Mina Kinukawa’s vibrant set design.

Isla Tuliro
Through April 22
Southern Theater, 1420 S. Washington Ave., Minneapolis
800-838-3006
www.pangeaworldtheater.org

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One Response to Marlina Gonzalez’s Epic Enchants and Unsettles with Mythic Exuberance – “Isla Tuliro” at Southern Theater

  1. dipankar says:

    John Townsend has been an affirming and critical voice in the world of theater. When other writers have ignored powerful work crafted and created by artists and organizations of color..John’s nuanced knowledge of theater..eye for details..and critical analysis has been imperative in a sustained manner. Gratitudes!

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